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The Mountain Made Low F has a one piece body construction for best clarity, tone and volume. Extra effort has been spent on hand tuning each instrument to assure accuracy and playing performance. The tone body foot has been relief bored to give the bottom two notes louder volume and better balance. A handy whistle to add to your low whistle collection at an unheard of price for a Low F whistle with all these special features! If you play outdoors, the Mountain Made Low F is for you! This is a great whistle to take hiking or playing around the camp fire.
The mouthpiece has been redesigned and is buffed to a smooth finish that has an extra bevel on the top cap to fit your lip when the whistle is played in a variety of positions. The aircap is made of white polymer and slides completely off the whistle for easy cleaning. This whistle contains no wood or metal. Easy Reach from pointer finger on right hand to ring finger is 2. Finger holes are inline with no offset finger holes and fits right or left handed players. Folks with large and extra large hands will find the fingering distances to be comfortable and uncrowded between fingers.
A handmade cleaning rod that fits the bore of your whistle is included. The Mountain Made Low F has a tuxedo black body with silver striping and a full color decal with the whistle key plainly marked.
The decal helps prevent handling wear and keeps you whistle looking good! Consider purchasing a WhistleSmith Thumb Ring that fits yourinstrument and get a grip on your whistle!
Allow four working days for shipping after purchase.Aluminum whistles with plastic fipples are low-maintenance louder and brighter than those of other materials. Brass penny whistles with plastic fipples are loud, but not quite as bright or loud as aluminum. All other factors are the same as aluminum.
Stainless Steel with plastic fipples are pretty much just like brass, only they do not show fingerprints or need a periodic dose of brass polish to keep looking spiffy.
Learn How to Play the Irish Tin Whistle
All-Wood whistles… more expensive high-maintenance, but a good woody sound like polymer. More traditional than a plastic polymer whistle. Whistles made of tin, with a wooden fipple are very bad because they rust, their mouthpieces usually make them harder to play, and the wooden fipples absorb saliva, causing them to swell. They do not last, are harder to play BUT they sound okay and are very inexpensive.
Read more Tin Whistle Questions and Answers. Written by WhistleAway.
Tin Whistle Fingering Charts (All Keys + the Basics)
Facebook Pinterest Email WhatsApp. How do u play Happy Birthday on the Tin Whistle? You may also like. View all posts.Type at least 1 character to search Hit enter to search or ESC to close. The tin whistle, also known as the penny whistle or Irish whistle is an instrument with a plastic or wooden mouthpiece and a metal body tube. They are relatively simple to play so, if you are looking for a new musical instrument to play then you will really enjoy an Irish whistle!
Low whistles, or concert whistles, are longer and wider and produce tones an octave or in rare cases two octaves lower. Whistles in this category are likely to be made of metal or plastic tubing, with a tuning-slide head. The term soprano whistle is sometimes used for the higher-pitched whistles when it is necessary to distinguish them from low whistles. The latter is more practical for faster playing. Practise a few simple tunes below:.
It explains the basics of the whistle as an instrument and guides you through all of its scales and keys. Letter notes and fingering charts will also help to understand how to read the tin whistle tabs. Unlike some classical music instruments i. Actually, two scales, by using a special cross fingering for an additional note you will read more about it soon. It means that you will need several different whistles to cover every song in its original key. Or if you are likely to play with a band, you probably need different whistle keys to match the other musicians and their instruments.
If you are just getting startedyou probably want to follow the fingering guide and notes for a whistle in the key of D. It is the most common key and probably the very first whistle you should get as most tunes and songs are played in this key. At least in terms of Irish traditional music.
Regarding fingers position, you should cover the holes with three middle fingers of both hands. As a rule of thumb, your strong hand goes to the bottom and the other one on top.
There is also a tutorial on this website that explains how to hold a tin whistle correctly in more detail. You may want to check it out as well as other useful whistle lessons. Each whistle has two octaves usually named lower and upper and the fingering is the same for both of them.
There is an exception for the key root note itself, which is available in 3 octaves. So, on a D whistle, you have a note D in its third octave too. This special note is usually referred to as the crossing note or the flat 7th. On a D whistle, this is the note C, which is a note between B and C notes 6 and 7. That way, it means you can play another scale key on the same whistle.
So, having a note C available on a D whistle, you can play both D and G scales. C is a very common whistle key for tin whistles, but there are a couple of brands that offer a low C whistle too.
By using a special note B flat Bb on a C whistle, you can also play the F scale. By using special fingering for the note G on an A whistle, you can play D scale too.
Bb whistle is also a common tin whistle key, offered by many manufacturers. By using special fingering for the note Gplaying Eb scale is possible.It is a type of fipple fluteputting it in the same class as the recorderNative American fluteand other woodwind instruments that meet such criteria.
Hymns for Tin Whistle
A tin whistle player is called a whistler. The tin whistle is closely associated with Celtic and Australian folk music. The tin whistle in its modern form is from a wider family of fipple flutes which have been seen in many forms and cultures throughout the world. Almost all primitive cultures had a type of fipple flute and is most likely the first pitched flute type instrument in existence. In the early Middle Ages, peoples of northern Europe were playing the instrument as seen in 3rd-century British bone flutes,  and Irish Brehon Law describes a flute-like instrument.
In the 17th century, whistles were called flageolets, a term to describe a whistle with a French made fipple headpiece common to the modern penny whistle ; and such instruments are linked to the development of the English flageolet, French flageolet and recorders of the renaissance and baroque period.
The modern penny whistle is indigenous to the British Isles particularly England when factory-made "tin whistles" were produced by Robert Clarke from — in Manchesterand later New Moston, England. The six-hole, diatonic system is also used on baroque flutes, and was of course well-known before Robert Clarke began producing his tin whistles. Clarke's first whistle, the Meg, was pitched in high A, and was later made in other keys suitable for Victorian parlour music.
The company showed the whistles in The Great Exhibition of They were mass-produced and widespread due to their relative affordability. As the penny whistle was generally considered a toy,  it has been suggested that children or street musicians were paid a penny by those who heard them playing the whistle.
However, in reality, the instrument was so called because it could be purchased for a penny. Due to its affordability, the tin whistle was a popular household instrument, as ubiquitous as the harmonica. These had a cylindrical brass tube.
Like many old whistles, they had lead fipple plugs, and since lead is poisonouscaution should be exercised before playing an old whistle. The Generation Whistle was introduced in the first half of the 20th century, and also featured a brass tube with a lead fipple. The design was updated somewhat over the years, most notably the substitution of a plastic fipple for the lead fipple.
While whistles have most often been produced in higher pitches, the "low" whistle has historically been produced.
The Museum of Fine Arts, Boston has in its collection an example of a 19th-century low whistle from the Galpin collection. The most common whistles today made of brass or nickel-plated brass, with a plastic mouthpiece, which contains the fipple.Traditional Irish Tin Whistle Songs
The next most common form is the conical sheet metal whistle with a wooden stop in the wide end to form the fipple, the Clarke's brand being the most prevalent. Other less common variants are the all-metal whistle, the PVC whistle, the Flanna square holed whistle, and the wooden whistle. Gaining popularity as a folk instrument in the early 19th century Celtic music revivals, penny whistles now play an integral part of several folk traditions.
Whistles are a prevalent starting instrument in English traditional musicScottish traditional music and Irish traditional musicsince they are usually inexpensive; relatively easy to play, free of tricky embouchure such as found with the transverse flute ; and use fingerings are nearly identical to those on traditional six-holed flutes, such as the Irish flute and the Baroque flute. The tin whistle is a good starting instrument to learn the uilleann pipeswhich has similar finger technique, range of notes and repertoire.
The tin whistle is the most popular instrument in Irish traditional music today. In recent years, a number of instrument builders have started lines of "high-end" hand-made whistles, which can cost hundreds of US dollars each—expensive in comparison to cheap whistles, but nevertheless cheaper than most other instruments.
These companies are typically either a single individual or a very small group of craftsmen who work closely together. The instruments are distinguished from the inexpensive whistles in that each whistle is individually manufactured and "voiced" by a skilled person rather than made in a factory. The whistle is tuned diatonicallywhich allows it to be used to easily play music in two major keys a perfect fourth apart and the natural minor key and Dorian mode a major second above the lowest note.
The whistle is identified by its lowest note, which is the tonic of the lower of two major keys. Note that this method of determining the key of the instrument is different from the method used to determine the key of a chromatic instrument, which is based on the relationship between notes on a score and sounded pitch. Since the D major key is lower these whistles are identified as D whistles.Whistles are instruments that use wind to produce sound such as flutes do. They have six finger holes where one places their fingers to vary the range of sound produced from the whistle.
They are made from different elements like wood, bamboo, metal, plastic or a combination of the mentioned materials. The tin whistles play in a variety of scales. The most popular tin whistle, however, is the one that plays in the scale D. The whistle range gets its variation from the combination of covering the holes, either partially or completely, fingering of the instrument and the amount and power of air you blow into the whistle.
Using one or a combination of these movements is what produces the sound and its variation. While playing a D scale whistle, one can produce keys on the scale A, D and G all in that one whistle. Combining fingering the scales and covering the holes in a variety of combinations brings you the different levels of scale.
Many people tend to forget the fact that the strength at which you blow the whistle and the amount of air that you blow into the whistle causes a variation in your tone. Different regions have different tuning to their whistles. It is interesting how the populous of one region can use the same instrument as another but have completely different outcomes.
For example, in America, the tin whistles majorly found there are mostly tuned in, unlike most whistles, the C major and the F major. Over to Ireland, the Irish whistles are played on the D scale. There are whistles that are most often known as concert whistles.
Their dimension compared to the standard whistles are much wider and they are physically much longer than the standard whistle. These features enable it to produce much octaves that are much lower than the octaves produced by a normal whistle.
The other type is the soprano whistle. This type of whistle produces a much higher pitch than the normal whistle. It can be annoying to some people if the pitch is too high because the sound produced is almost piercing. Depending on the variations during play, the pitch can be raised or lowered to a comfortable level. There is a method called cross fingering which can also produce other keys on the whistle.
Cross fingering is achieved by leaving the higher notes on the scale open or by closing only half the hole of the higher notes. The half covering of the holes is what is termed as half-holing.
Getting to this level of mastery takes time and skill. The complexity of the fingering process is hard to learn for the less experienced players and achieving that difficulty level may be difficult.
This leads to most people simply choosing to buy a whistle that is already tuned to a higher or lower scale, depending on their preference. Variation in tone can also be achieved by slurring or tonguing. However, whistle players prefer to change the amount of air blown into the whistle.
There are some instruments that can be used to alter this flow of air such as slides, strikes, cuts and rolls. The variations in combining the holes covered at any point, following tabulations, produces the different scales. While following the tabulation helps, the correct blowing technique and proper breathing needs to be consistent.
For the beginners, one is advised to start by mastering a scale by playing it downwards severally before trying to do the reverse and play it upwards. This helps the ear of the player to listen to the notes as they play them and get familiar with how to achieve them.
It gives the confidence one needs when playing the notes because you have prior knowledge on how to play them well. Like all instruments of play, the whistle has a foundational key that helps you grow your craft.
The achievement of the D scale and the G scale on a D tin whistle is the building block of learning to play the scales on a whistle. Once these have been achieved, one can now venture into the half-holing process or trying to achieve more complex semitones from the base tones. The variation of tunes that can be achieved just by the simple scales of D and G are very many.This item is presented here courtesy of Kim Fulton-Bennett.
You can make a fine whistle with just simple hand tools and materials that you can buy at any hardware store! NOTE: The fipple is the hardest part of the pennywhistle to make.
I often make more fipples than I need, and end up throwing out some of them because I'm not happy with their sound NOTES : 1 The ratio labeled "Proportion" in this table is the distance from the bottom of the whistle to the center of the finger hole divided by the total acoustic length of the whistle.
In this case, the acoustic length is the distance from the bottom of the whistle to the lower edge of the fipple hole, or See the Notes on Tuning for suggestions on how to adjust these factors to create your own hole arrangements.
After you have finished all tuning and shaping, you are ready to make the whistle shine. I have tried other coatings, but have found that they are much more of a hassle and take longer to dry.
Even the lacquer will wear off with time. With the epoxy I have had adhesion problems.
The Tin Whistle: Scales Explained
Other waxes, such as car waxes, may also work but I haven't done much long-term testing with these. Another alternative is to let the copper darken naturally.
I rather like the look of copper after it darkens. I've also been experimenting with various compounds to create reddish or greenish patinas. You have created your own copper pennywhistle. Even if it is not perfect, it has your spirit in it Another advantage of making your own whistles is that you can make them in any key, depending on the music you are playing.
What You Will Need You can make a fine whistle with just simple hand tools and materials that you can buy at any hardware store! Tools A ruler marked in cm and mm, as well as inches. Electric hand drill or drill press. Sand paper to grit.
Sharp metal punch for setting holes for drilling a large pointed steel screw or bolt will also work.